I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
Jackson’s writing is gorgeous. The opening paragraph is one of the best things in modern English, immediately plunging you into the tense, horrifying place that is Hill House. Hill House itself is upsetting, unruly, and haunted both by ghosts and time. The ghost hunters that have decided to investigate the long-abandoned Hill House are in for one hell of a ride, and they take the reader right along with them. The main character Eleanor Vance is studied in psychological damage, haunted herself by what’s happened to her. There’s also some nascent and sympathetic queer representation, jump thrills, and the kind of ghostly activity that would make anyone afraid to be alone.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
While there are haunted house-like novels before James’s 1898 classic, this in many ways is a granddaddy of modern haunted tales. An isolated country estate? Check. A creepy housekeeper? Check. Two even creepier children, possibly possessed? Check, check! When the unnamed narrator is hired as the new governess in a remote country home in England, she arrives to find that her two young wards are already nearly corrupted by the ghosts of the former governess and groundskeeper. As she works to save them, the narrator herself is threatened, both by the ghosts and by the children she’s meant to save. The psychological possibilities of this book, however, linger at the edges of the text, threatening to undermine the whole notion of what this haunting really is.
A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncle at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead.
Like the other tales collected here - `Sir Edmund Orme', `Owen Wingrave', and `The Friends of the Friends' - `The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they…
As the name might suggest, this novel is very much a spiritual descendant of Shirley Jackson’s Hill House, with a very similar setup: ghost hunters visit a haunted house that’s been abandoned for decades. That, however, is where the similarities end. In Matheson’s work, the haunting is more physical, with bodily threats to the ghost hunters at every turn, and the psychological and spiritual terror it inflicts does far more damage to them at each step, turning them against each other in violent and sometimes deadly ways.
"Hell House is the scariest haunted house novel ever written. It looms over the rest the way the mountains loom over the foothills." -- Stephen King
From the author of I Am Legend comes Richard Matheson's Hell House, the basis for the supernatural horror film starring Pamela Franklin, Roddy McDowall, Clive Revill.
Rolf Rudolph Deutsch is going die. But when Deutsch, a wealthy magazine and newspaper publisher, starts thinking seriously about his impending death, he offers to pay a physicist and two mediums, one physical and one mental, $100,000 each to establish the facts of life after death.
This is one of those books that creeps up on you. The setting is unusual and it uses the tropes of Southern Gothic in unexpected ways. For one thing, McDowell’s novel is set at the beach during a vacation. Most of the haunted activity takes place during the day in the oppressively sunny landscape of the vacation home for a group of visitors recovering from various ills. For another, and like a lot of Southern Gothic stories, family dynamics and history are a big part of the backstory here, but there are unpredictable elements as well, including the very nature or un-nature of the setting itself.
"The finest writer of paperback originals in America." - Stephen King
"Surely one of the most terrifying novels ever written." - Poppy Z. Brite
"Beyond any trace of doubt, one of the best writers of horror in this or any other country." - Peter Straub
"Readers of weak constitution should beware!" - Publishers Weekly
"McDowell has a flair for the gruesome." - Washington Post
After a bizarre and disturbing incident at the funeral of matriarch Marian Savage, the McCray and Savage families look forward to a restful and relaxing summer at Beldame, on Alabama's Gulf Coast, where three Victorian houses…
This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.
An unparalleled picture of that vibrant but dark intersection where the Old and the New South collide.
Thirtysomething Colquitt and Walter Kennedy live in a charming, peaceful suburb of newly bustling Atlanta, Georgia. Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Disappointed by their diminished privacy, Colquitt and Walter soon realize something more is wrong with the house next door. Surely the house can’t be haunted, yet it seems to destroy…
Emily Murray has been given a chance of a lifetime: to work and study inside Gnarled Hollow, the former estate of one of her favorite authors. She doesn’t believe in the supernatural, but the house has a disturbing habit of changing dimensions—and not just physical ones. Rooms go missing, doors close on their own, and time has a strange tendency to disappear. Emily is joined by other scholars, among them the beautiful art historian, Juniper Friend. Together they begin to research the history of the house, refusing to abandon their work. Spurred on by their desire to uncover the mysteries of Gnarled Hollow and its ghostly inhabitants, they’re determined to uncover the truth, even if it means risking their own lives.
"a fresh narrative whose scale, ambition, and pathos elevate" -Pacific Book Review
"The December Issue warms up the soul from its first chapter to the last." -Chanticleer Book Reviews, 5 Stars
The joys of retirement feel imminent to columnist Paul Scrivensby, a native of the Great Lakes' very own St. Catherine's Cove, but when his penultimate column stirs controversy, the writer soon finds easing into carefree days of leisure a luxury growing more elusive. Embroiled in the unexpected pursuits presented before him while on the verge of retirement, Paul discovers what he and others are capable of and searches for…
The joys of retirement feel imminent to columnist Paul Scrivensby, a native of the Great Lakes' very own St. Catherine's Cove, but when his penultimate column stirs controversy, the writer soon finds easing into carefree days of leisure a luxury growing more elusive. Embroiled in the unexpected pursuits presented before him while on the verge of retirement, Paul discovers what he and others are capable of and searches for understanding of what is truly expected of him at this pivotal point in his life.
A story of discernment amid the challenges and blessings of work, retirement, family, community, and past…
